Fonts fonts fonts

Jay Small wrote a great piece looking at how XP and OS X make text easier to read using font smoothing.

While I agree with Jay that the improving look of text on computer screens is good, I’d just like to point out that it does not mean the end of putting text into GIFs.

While one of the two problems, readability, has been solved by the font smoothing capabilities of operating systems, the other — conveying meaning through type — remains.

Don’t get me wrong, Georgia, Helvetica, Times and Verdana are great, but most designers would probably like access to a wider selection of typefaces.

Shot of my sight in comic sans

Happiness is not Comic Sans.

First of all, my argument is based on the premise that design is content. Take a look at my site in Comic Sans. I’d like to think that evokes, at least subconsciously, a different meaning for you.

The “content,” the words, are still the same, but visuals — type, photos, color — all add, or subtract from the content.

There are times, such as Web feature designs, when a designer needs to pull a typeface out his arsenal that not everybody is going to have on their computer.

Hence, we put type in GIFs.

Believe me, I don’t like it. It takes the text out of the HTML, it limits the type to a size that may be inappropriate on a very large or very small monitor — it breaks the fundamental design principle of the Web, flexibility.

But, it conveys the meaning the designer needs to send.

I’m not pushing for GIF type to live on forever, I want a better solution.

Open Type looks like a good start. It’s a type format that is easily interchangeable between PCs and Macs.

Now, about some browser vendors work on a standards compliant way to stream an Open Type face or something similar down to our users so we can have the best of both worlds: visual content and flexible design.

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The guns of March?

At my paper, we’ve begun our preparation for a possible war with Iraq.

We’ve talked with the publisher and and production folks about changes in size and organization of the paper.

I’ve been preparing new page templates, and at the copy desk we’ve assembled a war design team. City side has a war team of reporters writing stories already, and our goal is to get three pages drawn and edited before the bombs drop.

I imagine papers everywhere are putting thought, and work, into any pending conflict with Iraq, but what about Web sites.

While the big wigs like CNN and the New York Times created low-bandwith versions of their sites after the traffic associated with Sept. 11, I think every news site should be preparing something similar.

Perhaps now is the time to prepare a low-bandwith, CSS-only (or CSS-mostly), page design and get it ready to go in the event of hostilities.

For those online managers looking to make the big switch in the future, a pending war (and spike in traffic) might be the perfect “excuse” to sell to non-tech bosses. They might not care if the site will be usable in the future, but when the words “site going down” are uttered, it might get their attention.

In addittion to design templates, now is the time to start planning online-only content that might need some lead time, like interactive graphics of the region, or the weapons involved.

So what is everyone up to?

P.S. At the the Missourian, we’ve got a non-monetary pool going on the start date — my pick is March 9, what’s yours?

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Changing a site’s design, part II

Nathan Ashby-Kuhlman brings up a perfect example of sites changing their design to fit the content.

Of the sites I visit, the New York Times is one of the few that do these kinds of changes.

Some folks brought up issues with reader confusion during an earlier discussion but I think readers are perfectly savy enough to understand a slightly changed layout.

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WashPost’s quasi-registration

I’m not sure how long The Washington Post has been doing this, but I like it.

One of the many things about Internet publishing that differentiates it from other mediums is the ability to personalize and target users with appropriate content and advertising.

Indeed, I believe the strength of newspaper Web sites is, and will be, highly targeted advertising.

The only way to achieve highly targeted advertising is by making users register and tracking their content and advertising preferences.

But, The Washington Post has achieved a happy middle-ground between total registration and willy-nilly readership.

When a non-registered user views the site, the first time they click on a story link they’re presented with a page that asks for four things: gender, birth year, ZIP code and country.

That’s great! With age and zip code, you can get an educated guess as to the demographics of your user and deliver appropriate advertising.

The data you enter is saved in a cookie, but it expires eventually. So frequent viewers will have an enticement to register, and occasional readers get access with little hassle.

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Thesis, ahhh!

I have to have my thesis proposal ready by March 10.

I am still working on theory.

I also have a content analysis to do for my methods class.

It’s due March 11.

I will strive to keep the site up to date, but please forgive any infrequency.

Completed thesis proposals, fifths of vodka or any other care packages can be mailed to chris@heisel.org.

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